Archive for the Reviews Category

THE ALLMAN BROTHERS BAND TO CELEBRATE ‘THE YEAR OF THE PEACH’ WITH GRAMMY LIFETIME ACHIEVEMENT AWARD SATURDAY, FEBRUARY 11 DATES FOR ANNUAL NYC BEACON THEATRE RESIDENCY CONFIRMED

Posted in Artist Watch, New Music, News, Reviews with tags , , , , , , , , , , , on January 3, 2012 by Randy

The ALLMAN BROTHERS BAND are getting set to honor the 40th anniversary of their iconic 1972 live album EAT A PEACH in a big way: they’re hailing 2012 as “The Year of the Peach.”

The Rock & Roll Hall of Fame inductees will start the year with a Grammy Lifetime Achievement Award, which “honors performers who have made contributions of outstanding artistic significance to the field of recording.”  That event will take place Saturday, February 11 during Grammy Week in Los Angeles and the group will be mentioned on the Sunday, February 12 national TV broadcast.

“It’s shaping up to be a great year,” says BUTCH TRUCKS, who co-founded the band in 1969 with GREGG ALLMAN, drummer JAIMOE, guitarist DUANE ALLMAN, bassist BERRY OAKLEY and guitarist DICKEY BETTS.  “We just wanted to make music that was honest and play it for friends, which is pretty much what we’ve done.  It’s an honor to be able to be recognized like this.”

Soon after the Grammy Awards, the band will launch their annual residency at New York City’s Beacon Theatre, where they will perform 10 shows beginning Friday, March 9 (see full itinerary below).  Tickets for those shows go on sale Friday, January 6.  The ALLMAN BROTHERS BAND have performed over 200 sold out Beacon Shows since they began the March tradition in 1989.  Their 2003 run was captured on the gold-selling LIVE AT THE BEACON THEATRE DVD and the ONE WAY OUT CD, which features the Grammy-nominated track “Instrumental Illness.”

In April, the group returns to Live Oak, FL, where they will host their 8th annual WANEE FESTIVAL on April 19-21.  The full line-up for the three-day festival has yet to be confirmed but previous artists have included Widespread Panic, Robert Plant & Band of Joy, Steve Miller, the Black Keys, O.A.R., Levon Helm, Buddy Guy, Little Feat, Bob Weir, Stephen Stills, Gov’t Mule and the Derek Trucks Band.

In 2011, the group aligned with Entertainment One Music to market two signature band-owned labels: PEACH RECORDS for the sales of its previous Sanctuary label releases and new live recordings of the current band as well as the ALLMAN BROTHERS BAND RECORDING COMPANY for the release of archival recordings featuring the original line-up including the late DUANE ALLMAN and BERRY OAKLEY.

Here are the confirmed New York City Beacon Theatre dates:

Fri 3/9
Sat 3/10
Tues 3/13
Weds 3/14
Fri 3/16
Sat 3/17
Tues 3/20
Weds 3/21
Sat 3/24
Sun 3/25

www.allmanbrothersband.com

INTRODUCING CULL TV (http://cull.tv) MUSIC DISCOVERY THROUGH THE POWER OF MUSIC VIDEOS :: CURATED CHANNELS FEATURING NEW AND UNDISCOVERED ARTISTS AS WELL AS ESTABLISHED ACTS. :: CREATE, CURATE, AND SHARE YOUR OWN CHANNELS

Posted in News, Releases, Reviews with tags , , , , , , on December 12, 2011 by Randy
Introducing Cull TV (http://cull.tv), an impressive new medium for music discovery. Through a simple, streamlined interface, Cull TV delivers the latest HD music videos.  Cull TV’s unique formula for music discovery makes it the go-to destination for new music videos on the web. They use a special blend of technology to surface the best new music and deliver videos you’ll love. In syndicating from both YouTube and Vimeo, Cull TV features the largest catalog of music videos on the web.

Here’s how it works: Cull TV crawls the web to find out what music fans are listening to and watching. They analyze the blogosphere to determine what’s trending now. Their editorial staff supplements the technology with expert hand-curation, building themed channels and playlists. Their ‘Auto DJ’ recommender algorithm learns what you like and ensures you never run out of ideas for what to watch. Finally, they leverage the power of your social network to collect all your friend’s favorite videos in one place. This all goes into their machine-learning core and out the other end comes the best music discovery network on the Internet.

Cantora Records experienced the power of music discovery through Cull TV first-hand when they stumbled upon Azealia Banks and her video for “212” through Cull TV. (http://tinyurl.com/col9vey) “I’m writing this post,” states Jesse Isreal of Cantora Records, “because I love that it was a music startup that first showed Cantora about Azealia – weeks before her ‘Best New Track‘ on Pitchfork. I smell more of this coming our way, where technologies (and recommendation tools) help us shape events and the bands we work with. If you haven’t tried Cull TV, go peep it. If you haven’t heard Azealia, go listen.”

Cull TV features a wide array of genres from HipHop, Electronica, and Indie Rock, to Euro Pop, Oldies, and Chilean Rock. There are also topical channels featuring scenes and music from Occupy Wall Street, NSFW music videos, and the recently added Christmas themed music videos channel “A Very Cull TV Christmas“.

Beyond curated content to sit back and enjoy, users are encouraged to create their own channels from any video and share with friends. For example, USA Today Pop Candy‘s Whitney Matheson created a playlist of jams from 1991 called ‘Every Day is 1991‘, indie record label Mexican Summer curated a channel featuring their top bands, and the Moogfest music festival used a Cull TV channel to promote their 2011 lineup.

This is the future of music television! Log on to http://cull.tv (Facebook, Google Chrome) to try for yourself, and let us know your thoughts.

About Cull TV

Based in San Francisco and New York City, Cull TV was founded by a group of leading

industry professionals from Sony Computer Entertainment, Linden Lab, Intel, and more.

Adrenaline Mob: The Rock Tribune’s review by guest Dan Cartagena

Posted in All Metal, Artist Watch, Reviews with tags , , , , on August 14, 2011 by Randy

Adrenaline Mob? Where did these guys come from? Where do I begin? First off, they are a five piece band of which most rock fans would know of at least two members. Russel Allen, vocalist from Symphony X, Fozzy/Stuck Mojo’s Rich Ward on rhythm guitar, the monstrous Mike Orlando on lead guitar, Paul Dileo on bass and the infamous Ex-Dream Theater drummer Mike Portnoy to complete the group. Sounds like a power house of a band…lets see how their EP holds up.

I listened to the first track titled, “Psychosane,” and I gotta admit these guys got some serious balls behind their music. The song is full of energy due to heavy riffs, mean drum fills, Russel Allen’s powerful vocals, and the tight low end. I was floored by the guitar solo from Mike Orlando which started off with a quick little scale into some blues flavored licks that finished off with a Michael Angelo Batio style run that blended perfectly into a talk box/wah section.  They threw some F-bombs in the lyrics which I thought were hilarious, but it definitely fit the song.  All in all, pretty bad ass first track.

As I continued listening, “Believe me” reminded me of a Disturbed style riff that moves straight into a very melodic chorus. This song seemed to have more elements involved than the previous track due to the melodic breakdown after the insane guitar solo. Russel Allen really shows off his range in this particular song with melodies in his higher register. The song ends with a bang as Mike Orlando finishes off with an incredibly difficult run, while Portnoy is throwing in as much double bass as possible to compliment the fast paced ending.

“Hit the Wall” definitely shows off Portnoy’s ability to grab the spotlight…that is until Mike Orlando comes in and steals it away with another fast paced guitar solo that incorporated sounds similar to an early nineties nintendo game. The verses in this song remind me of an Alice in Chains style structure, which was not in any of the two previous tracks. And, of course, they had to throw in a dirty, southern riff to give you that head banging ending.

For me, track 4 entitled “Down to the Floor,” didn’t really impress me after hearing the first three tracks. Seemed like too much of the same thing and nothing really stuck out that caught my ear. Gotta give Mike Orlando credit again on a rippin’ solo, but yea, didn’t really dig it too much. As for the last track, they pulled out an old Black Sabbath cover called “The Mob Rules.” They knocked this one out if you ask me. Russel Allen’s vocals reminded me exactly of Dio and couldn’t have complimented the song any better. Another mean solo in this song as well which came to no surprise after hearing the other songs. Black Sabbath would be proud.

After listening to the EP, I don’t think I’ve heard a band like this before. At first I thought I was listening to an old school 80s metal band until I heard the voice of Symphony X vocalist Russel Allen. His voice is incredibly powerful and adds this grungy, dirty, angry type of feel. He had this to say about the band:

“[Adrenaline Mob is] a straight-up rock band with just rock songs — kind of like an edgy, modern kind of sound… almost like Rob Zombie meets Black Label Society meets Disturbed, with Dio singing. So it’s definitely different and it’s cool.”

I think that description is pretty damn close to what I think about these guys. Being a musician myself, I always want to hear something new that impresses me and forces me to become a better player. These guys did just that. The guitar riffs are heavy, meaty, bluesy, grungy and metal all at the same time. The drums, played by the infamous Mike Portnoy, are perfectly syncopated with the guitars and the drum fills definitely have that Portnoy type of sound. The low end blends well and compliments the overall sound of the band. Mike Orlando rips a mean solo in every single track giving you that I-will-always-be-a-better-guitar-player-than-you type of feel. You need to keep your eye on these guys once their full length album is released.

 

 

Dan Cartagena is currently the lead guitarist for Miami’s own Daybreak Embrace.

Foo Fighters new album “Wasting Light”, Documentary “Back and Forth” review

Posted in Reviews with tags , , , , , , , , , , on April 21, 2011 by Randy

For me, something has always been missing from the Nirvana story.  Like an open wound that won’t heal.  Dave Grohl’s story has always been intriguing, but his actual side of the Nirvana saga was always missing.  Back and Forth, the Foos’ new documentary finally places the triple antibiotic on that wound.  Yes, folks, its time to heal. 

 From the beginning of Grohl’s time in Nirvana, to the Foo Fighters’ latest studio time on Wasting Light, Back and Forth covers it all.  The new album, produced by Butch Vig (Nevermind, member of Garbage), is the latest and greatest chapter in the band’s history.  It’s a perfect evolution of the band and a real rock album in a time dominated by Pro Tools and computer recording.  The album was cut in Grohl’s garage by way of analog tape, also a first for the band.  It marks the first time in 20 years that Grohl, Vig, and Krist Novoselic recorded together, let alone stood in the same room together.  The former Nirvana bassist appears on the track, I Should Have Known, which leaves the mind wondering, if of any track written by Grohl, if this is indeed of Nirvana’s ending and the Foos’ beginning.  Pat Smear also comes back for this record, making it a true Foo collaboration. 

Key Tracks:  “I Should Have Known”, “Walk”, “Rope”

Foo Fighters.com

Randy H. of  The Rock Tribune